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“Hawaiian Blood is an important work that addresses the racialization of Hawaiians in a way that no other work has done. J. Kēhaulani Kauanui reveals how the fifty-percent blood quantum continues to divide the Native Hawaiian community and how it is affecting current court decisions and legislation. These analyses are crucial for the Hawaiian community as it continues to move to define itself and to exercise self-determination and sovereignty.”—Noenoe K. Silva, author of Aloha Betrayed: Native Hawaiian Resistance to American Colonialism“Hawaiian Blood tells a fascinating and important story that has not received sufficient attention in the historical research on Hawai‘i nor in the work on indigenous peoples more generally. Well written, accessible to students and sophisticated in its analysis, this book offers provocative new insights and theoretical perspectives on how we think about and use notions of race, blood, and belonging.”—Sally Engle Merry, author of Colonizing Hawai‘i: The Cultural Power of Law“Hawaiian Blood is an important study that brings a complex issue to light and fills a gap in the literature on both indigenous and American studies.” (Eileen H. Tamura Journal of American History)“Hawaiian Blood obviously is required reading for anyone interested in Hawaiian history, but it can be profitably read by others concerned with ethnicity, land rights, definitions of welfare and more issues than a brief review can encompass. Though I have lived in the islands intermittently for almost 60 years, I found I could still learn from Kauanui’s book and am therefore profoundly grateful to her.” (Eugene Ogan Pacific Affairs)“Kauanui is a passionate critic of the concept of blood quantum, and her engagement with the issue of Hawaiian identity yields insights throughout the book, especially concerning the ways in which the law can work as a subtle agent of colonization.” (Stuart Banner Pacific Historical Review)“The broader historical and anthropological questions raised by this study are thoroughly engaging, beginning with the metrics through which ‘Hawaiian’ identity and community membership should be measured. . . . Kauanui’s informed voice, as a scholar and Hawaiian, deserves a large and attentive audience in the coming debates over sovereignty and indigeneity.” (David Igler American Historical Review)“This book is incredibly important in building a new understanding of colonization and racialization in Hawai’i, and is a must read for anyone interested in American Studies, Indigenous Studies, and/or Critical Race Studies.” (Judy Rohrer American Studies)“This work is an ambitious and carefully argued account of how the peoples of Hawaii moved across multiple modes of being: from a self-ruled polyglot community to becoming conquered United States colonial subjects and, eventually, transformed into culturally and legally segmented ‘American’ citizens made to submit to ‘blood quantum’ rules. . . . [A]n exceedingly well written and well argued work on a complex case.” (Cherubim Quizon Anthropological Quarterly)

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“Hawaiian Blood is an important work that addresses the racialization of Hawaiians in a way that no other work has done. J. Kehaulani Kauanui reveals how the fifty-percent blood quantum continues to divide the Native Hawaiian community and how it is affecting current court decisions and legislation. These analyses are crucial for the Hawaiian community as it continues to move to define itself and to exercise self-determination and sovereignty.” (Noenoe K. Silva, author of Aloha Betrayed: Native Hawaiian Resistance to American Colonialism)“Hawaiian Blood tells a fascinating and important story that has not received sufficient attention in the historical research on Hawai‘i nor in the work on indigenous peoples more generally. Well written, accessible to students and sophisticated in its analysis, this book offers provocative new insights and theoretical perspectives on how we think about and use notions of race, blood, and belonging.” (Sally Engle Merry, author of Colonizing Hawai‘i: The Cultural Power of Law)

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Product details

Series: Narrating Native Histories

Paperback: 264 pages

Publisher: Duke University Press Books (November 7, 2008)

Language: English

ISBN-10: 0822340798

ISBN-13: 978-0822340799

Product Dimensions:

6.1 x 0.6 x 9.2 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#874,332 in Books (See Top 100 in Books)

J. Kēhaulani Kauanui, currently an associate professor of Anthropology and American Studies at Wesleyan University, has had numerous essays published in various books including Recognition, Sovereignty Struggles, and Indigenous Rights in the United States: A Sourcebook; Decolonizing Native Histories; and Beyond the Frame: Women of Color and Visual Representation.In this, her first book, she pulls no punches in her analysis of the American empire and how it has operated in Hawaii. She argues that blood quantum racial classification is used as a proxy for ancestry, with destructive political consequences for indigenous peoples. Her primary focus being on the legal construction of Hawaiian indigeneity in order to analyze the implications for historical claims to land and sovereignty, an argument she more than backs up.While the book revolves around the passage of the Hawaiian Homes Commission Act of 1920, chapter one serves as context, contrasting how Hawaiians use genealogy to determine if one is Hawaiian as opposed to the “blood quantum” method devised by the law. As the author notes, the blood quantum method is designed to displace “the indigenous form of identification.” (38) Furthermore, she notes that genealogy plays a crucial role in Hawaiian political representation, which would account for why the U.S. government did (and continues to do) everything it can to discredit this and come up with an alternate method of determining who is and is not Hawaiian. (63) Chapter two also serves to contextualize the HHCA by discussing “issues of depopulation, rehabilitation, and land entitlement, as well as those of race, indigeneity, and citizenship.” (32) As Kauanui notes, land which was to be used for rehabilitation of natives was the land sugar plantation owners wanted to keep as their “leases were soon to expire.” (69) Chapter three details the first hearing on a proposal of rehabilitation before the House Committee on Territories. (33) Chapter four discusses the second hearing, in which the issue of just who is Hawaiian is debated. At the heart of this is a discussion of racial mixing and assimilation. Interestingly there was a proposal (it did not pass) to set the blood quantum at 100%. Chapter five looks at how the HHCA was recreated (and the advent of the 50% rule) in order to get it to pass Congress. Chapter six details the implications of the HHCA on contemporary Hawaiian politics.This is a very well written argument which is quite easy to follow for both the specialist and the lay reader alike. Kehaulani’s argument is easy to follow and she conveniently points out what she is arguing not only in the introduction to the book, but in the introduction to each chapter. Indeed, she lays her case out in lawyer like fashion, moving methodically from one piece of evidence to the next, transitioning expertly and reminding the audience of the relation to the overall argument. Best of all, you do not need to be a specialist in the history of the US (or Hawaii) to follow along.

The book's informative & supports what has & is happening in Hawai'i. It shores up the reasons why the Hawaiian people people are at a disadvantage, especially when it comes to land & land holdings. The United States action that led to the illegal overthrow of the Hawaiian monarchy complicates the land issues relating to the Hawaiian people's rightful claims.The USA's disregard and discrimination toward Hawaiians is appalling, embarrassing to me & many others who thought we served a just and rightful government as veterans and citizens, only to find out that the government casually, and forcefully discriminates against ethnic groups, as in this instance the Hawaiian people for the benefit of a few and the benefit of certain populations who are monied. The author empathizes the racism and inequality practiced in America's past history and present day practices! Blood quantum is a practice used to ensure Hawaiians will continue to lose land rights today & in the future.

Thanks for this treatment of the subject by a Hawaiian. The topic was detailed with the attention of an expert and patriot. The sad details of American involvment in this travesty simply made me sick. I am glad to know the details from such a knowledgable source and with historical detail. Thank you again.

great read.challenges the BIA approach . A must read.

Excellent Read. Self-Determination is examined and it hits home for those of us who are struggling with figuring out who we are. Powerful and Mind blowing.

This book raises a lot of important issues the average American is not aware of... like the blood quantum set up by people not native Hawaiian, and the illegal overthrow of the Hawaiian Kindgom by the US government/marines and the forced annexation in 1898. Native Hawaiians are genuine, lovely people, and American presence is destroying their land.

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File Size: 4712 KB

Print Length: 265 pages

Publisher: Anchor (November 26, 2014)

Publication Date: November 26, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00PEPS8BE

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“Twilight in Los Angeles” by Anna Deavere Smith offers insights from people who have lived through the riots in Los Angeles of 1992. Those riots broke out as protest against police brutality. The case of Rodney King was brought to court and the judges ruled that there was indeed violence and use of excess force with a deadly weapon. A year later in 1992, the police on trial were acquitted of the charges against them and riots broke out all over Los Angeles as the African American community were outraged at the decision.“Twilight LA” is told through many perspectives of individuals who lived through this time. These people may or may not have been involved with the riots, yet they were still affected by them. They tell the stories of themselves, family members, friends, all whom have been affected by the riots. Smith allows the readers to view this event in history from many perspectives and form their own opinions about it.Personally, I loved how many sides of the story she was able to collect. This was a mutual way for this event to be brought to attention. Everyone in The Los Angeles community was affected. This is a fantastic example of the diversity in California. I think. It also represents why people of different races thinks the way they do. In California there is a lot of stereotyping that goes around that eventually leads to some sort of racism. “Twilight LA” is able to bring a little reason into why and how some people (i.e the Korean Americans) feel about other communities (i.e. the African Americans). One line that stood out for me was from Mrs. Young-Soon Han. She says, “I wish I could live together with eh Blacks, but after the riots there were too much differences. The fire is still there how do you call it? Igni..igniting fire. It's still dere. It canuh burst out anytime” (Smith 249). This offers one person’s perspective on how she was affected by the riots. She did not participate in them but she was definitely a victim of the results. So after what part of the African American community has done to make her think this way, she continues to stand with her opinion on them and cannot really agree they they are a “Los Angeles community.” Another line that stood out comes from Rodney King’s aunt, Angela; she says, “We weren't raised like this. We weren't raised with no black and white thing. We were raised with all kinds of friends: Mexicans, Indians, Blacks, Whites, Chinese. You would never would have known that's something like this would happen to us. And now it's such a shock” (55). This reminds us that California has mostly been a pretty diverse state. People like Angela King acknowledges that there was a time where people did not care about race and that a community is one whole no matter the kinds of people that live in it. She also speaks of being “not raised like this.” This can represent so many things she spoke about in her section. I think. The most important was that this state was not raised to hate so seeing something like police brutality splitting up the diverse community is very disappointing for her. She also says (to her nephew), “Boy, you sure you ain't got some African in you?” (53). She speaks of a time where her and her family are fishing in Sacramento and Rodney is said to be “hunting” the fish and catching them with his bare hands while everyone else are using poles. I think she brings this up to say that they live in a time where people are raised to be “civil” and they don't really things that they primal ancestors would. It shows that not just African Americans, but everyone in the community should have handled this situation in a more civil manner rather than violence and riots. I love how these lines could have been about anyone during those times. It doesn't even apply to just one specific group because everyone during that time was being “wild.” California (especially SoCal/LA) has been pretty known for its diversity, but events like the 1992 riots should be known to see what the state had to go through to get to where it is now. This book really shows a view into what California (LA) was like during that time and the people who live in the community are just as important to the history. This play offers not only offers perspective but background and history to many types of people in the state. The communities were thrown off balance because of one catalyst event. This might have changed the opinions of some people and Anna Deavere Smith was able to showcase all of those perspectives in her book(play).

came too late to use for class I needed it for

I read this book in my English 1A class.It was easy to read and very interesting.The 1992 events of Los Angeles are evoked from so many points of view.It shows how people are divided but still have hope that things are going to improve.For any one which is interested in the riots of 92 or making research on the subject, this book is a "must have".

The book was great!

Great to have real people who experienced this riot in 1992 Los Angeles, got this book for my class. Great knowledge.

Powerful MUST READ.

Brand new copy as advertised. Received days ahead of schedule. Thank you!

Has opened my understanding of the pain and struggle minorities face.

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File Size: 6035 KB

Print Length: 389 pages

Publisher: It Books; Reprint edition (October 22, 2013)

Publication Date: October 22, 2013

Language: English

ASIN: B00DB3D31G

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I've read several other rockstar biographies that are NOT autobiographies, and this will be the last one. The writer obviously was not getting input from his subject. In fact, Plant goes out of his way to attest that he'll never squeal. Nearly everything in this book is storyline hearsay from low-totem folks along the way like ex-drummers, sound guys, promoters, the dude who drove the bus, etc. Plus it was long and repetitive. In particular, one profound peave is how rock star biographers often like to tell you which of the subject's songs are good, and which aren't, in the author's opinion. That sucks since in Plant's Led Zeppelin phase, they rarely if ever produced a stinker -- in the reader's opinion.I'm going back to my original rule. Rockstar Autobiographies only!

I really enjoyed this book. For once, there is something for the reader who is interested in more than the sordid goings on of the early band.Very refreshing to hear of the musical influences and interests that inspired such a great performer. Also, very well written and told with much to glean from the music and how it all was formed.I hope that others would appreciate it as much for what it has as for what it does not. I found the stories of family, friends and associates very interesting reading.If you are a serious fan, you would be doing yourself an enormous disservice to skip reading this.Enjoy!

If you're a real fan, it's okay but over time gets tedious. Repetitive and predictable. Quickly you get the picture that he's a cheapskate, self absorbed and somewhat boring. Yes, he has one of THE great rock voices of all time and he's been kind to those close to him. One positive thing I can say, it's a far better read that the Jimmy Page bio. That book is for hardline Zep fans. If you want to know who took a poop when on the day they recorded Stairway to Heaven, then pick that one up. Excruciating detail about the mundane that takes the joy out of reading.

I’m a huge fan of Robert Plant, and very much wish he would release an autobiography. In the meantime I read this biography of his career. While Led Zeppelin is what made him so famous, his time in that band represents less than 25% of his entire career. This book would have been much better if it had focused heavier on his post-Zeppelin career. This artist reinvents himself regularly, and learning more about those changes would have been perfect. This book is not a bad read, just focused too much on the Zeppelin years.

The many moods and muses of Robert Plant are all captured by author Paul Rees in this very entertaining read. From the highest highs of "rock god" status to the lowest lows of family tragedy, Plant continues to move like a musical (and personal ) chameleon, easily stepping away from the massive success (and at times for him, shackles) of the world's greatest rock band Led Zeppelin to forge a solo career that leaves former partner Jimmy Page in the dust. The book does a wonderful job of detailing the true loves of his life (music and women), along with his ability to walk away from styles (and friends) as he sought his next inspiration

From youth to active legend the book covers Robert Plant's life mixing humorous events with stressful times - like the death of his son. Fans will enjoy the anecdotes as well as the stories behind the songs. Especially interesting is the personal relationship between the members of Led Zeppelin. A great read.

This is an excellent look at Robert Plant's life - with and without Led Zeppelin. It gives the reader a different perspective on his rationale for the music he has made and what keeps him going today. I blazed through these 400 pages in about 2-1/2 days. It was a great read. Recommended for any Zep fan.

I don't know why particularly but this one was just not as interesting as some of the other rock bios I have read. Maybe it was that I knew so much of it from before or that half the book was about his solo career.I love some of that music (particularly Principles of Moments) but there seemed excessive detail about this era. No slap at Robert...he is surely a God for the ages. Hard top Hammer of the Gods...if you are a real Zep fan.

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