PDF Download Shakespeare: The Invention of the Human, by Harold Bloom
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Shakespeare: The Invention of the Human, by Harold Bloom
PDF Download Shakespeare: The Invention of the Human, by Harold Bloom
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Review
"The most original literary critic in America." --The New York Times"No critic in the English language since Samuel Johnson has been more prolific." --The Paris Review"Bloom is all literature, (he) positively lives it." --Alfred Kazin
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From the Back Cover
A landmark achievement -- expansive, erudite, and passionate -- Shakespeare: The Invention of the Human is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit, and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarship -- that Shakespeare not only reinvented the English language, but also created human nature as we know it today.
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Product details
Paperback: 768 pages
Publisher: Riverhead Books (September 1, 1999)
Language: English
ISBN-10: 157322751X
ISBN-13: 978-1573227513
Product Dimensions:
6.1 x 1.9 x 9.2 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
121 customer reviews
Amazon Best Sellers Rank:
#74,020 in Books (See Top 100 in Books)
Bloom is one of the world's great Shakespeare scholars and his thesis that The Bard created our conception humanity itself is well-argued, but he exceeds his brief when he dismisses the authority of the Old Testament and the personality of Moses when he offhandedly states that it was written by the "J writer". He treats the New Testament In a similar manner while stacking up the influences upon the modern conception of what it means to be human. Perhaps Bloom's thesis is threatened by the fact that the Bible itself created the idea of humanity and that Shakespeare's work is a commentary on that greater work as all modern philosophy is a commentary on Plato.
A reader might be forgiven for thinking that Harold Bloom’s Shakespeare The Invention of the Human is merely a set of reflections on the bard’s oeuvre. That is, after all, how many critics have advertised the book. Or you might think that Bloom merely describes with particular vivacity Shakespeare’s obviously fecund imagination in creating the archetypes for modern personas. Bloom does do that but there is so much more.Bloom’s Shakespeare is not just a creative genius. He is someone, like Nietzsche or Bloom himself, who has struggled—or might even be said to have created—the uniquely modern predicament of existence. According to Bloom, Shakespeare’s universe is essentially Elsinore. That is, we live in a world where we recognize that all is not exactly aright.Hamlet’s struggle is what to do with such an existence. Try to right all wrongs? But how can one right that fundamental wrong that the work of building a human consciousness is doomed to the dissolution of the body?Bloom’s Hamlet is then a Dionysian hero, a character who recognizes the Sisyphean nature of human existence. And Bloom sees Shakespeare’s opus as a slowly mounting crescendo toward the plaintive song of Hamlet himself.In other words, readers cannot simply read Bloom’s descriptions of their favorite plays. Nor can readers rest assured in the thought that Shakespeare has helped create modern personas.No, they must enter the Shakespearean universe and struggle as much as Jacob wrestled with the angel. Shakespeare is not so much high culture as the finest depiction of what it means to be human.In a few words, not a book to be taken up lightly. One must be ready to be thrown into combat alongside Shakespeare to really grok the full meaning of this text. I can only encourage the potential reader to enter the ring for a captivating emotional and intellectual experience.
Accessibly and delightfully written, very insightful, sometimes hilariously or wickedly entertaining. Pointedly opinionated, and in ways that can chafe some current sensibilities (including my own), but to a benefit. Thiis book proves just how much Bloom loves Shakespeare and wants to communicate to us and educate us through that love. A necessary addition to the library to any real bardophile.
When you first get the book you wonder can Professor Bloom really keep you interested in Shakespeare for nearly 800 pages. Yes, he can and with elan. This is not a book that lends itself to a quick read and it does flag a little at the end as maybe the author began to get tired or lose interest or both. Just the same this will clearly this be viewed as one of the seminal works on the Bard.
Like Bloom, I've sat thorough many productions of Shakespeare's works in which the themes and the characters were distorted, mutilated, or simply ignored. I've wondered if there was anyone in the world who actually read the plays instead of using them as a marketing gimmick to display their own concepts. Fortunately, Bloom shows that he has read the plays.Many of this book's reviewers have focused their energy on whether or not Bloom proves his thesis (which is that Shakespeare "invented" the ways that we define ourselves as humans). Just to put my opinion on it, I don't think he did. Then again, I don't think Bloom thinks he did either, as is evident by his statement in the book's end that Chaucer "invented" the human and Shakespeare perfected it.So, why should a reader invest time in a book where it is questionable whether the author proved the central thesis? Because Bloom does such a wonderful job of dissecting the plays that one gets lost in the nuances that he brings out. His critical analyses of the plays are insightful and provocative. While I might take exception to some of his comments (I don't think Richard III is as weak as Bloom thinks it is), his writing style has conveyed his ideas in such a way that I have to respect his opinions.I was glad that I had read/seen some of the plays so that I could understand the context of Bloom's comments about them. I did feel a little lost when reading his analyses of those plays to which I had not been exposed. Instead of wallowing in the feeling, I wanted to read those plays in order to see if I agreed with his comments. Any critical study that makes one want to return to the original source material to discover if its arguments are valid is a very good study. While I don't believe one should accept Bloom's analyses at face value, his comments provide a solid counterpoint to many of the myths about the plays. I heartily recommend this book to those who want to broaden their perspective on Shakespeare's works.
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